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The Balbi Children
Painting ID:: 43125
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Anthony Van Dyck
The Balbi Children
mk170
1625-1627
Oil on canvas
219x151cm
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William Feilding,lst Earl of Denbigh
Painting ID:: 43126
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Anthony Van Dyck
William Feilding,lst Earl of Denbigh
mk170
1633-1634
Oil on canvas
247.5x148.5cm
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Lady Elizabeth Thimbelby and Dorothy,Viscountess Andover
Painting ID:: 43127
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Anthony Van Dyck
Lady Elizabeth Thimbelby and Dorothy,Viscountess Andover
mk170
circa 1637
Oil on canvas
132.1x149cm
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Portrait of GeorgeGage with Two Attendants
Painting ID:: 43130
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Anthony Van Dyck
Portrait of GeorgeGage with Two Attendants
mk170
1622-1623
Oil on canvas
15x113.5cm
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Lord John Stuart and His Brother,Lord Bernard Stuart
Painting ID:: 43129
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Anthony Van Dyck
Lord John Stuart and His Brother,Lord Bernard Stuart
mk170
circa 1638
Oil on canvas
237.5x146.1cm
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Anthony Van Dyck
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Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters. |
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| SALVIATI, Cecchino del | Emma Ekwall | BRAMANTINO | |
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